Cover Art for The Aerial Unit’s single, Infinite Echo

A title I designed for Julie Boehm’s extravagant dance-themed movie “Paris You Got Me”. Inspired by art deco movement and the 30s Charleston step-dance, the title exudes musicality and shows off the Parisian vibe.

Eddy Hohf’s animated sketches “Pumper Paradise” requires a short title sequence that serves as outro for each of the sketches. By mimicking the muscle contraction and basing the look on human skin color, I envision a stylized title sequence, presented in comical and exaggerated manner.

A set of styleframes created for the “11. Empfang der Filmhochschulen 2018” bumpers. In this “Comedy” category, I play around with pop culture elements, memes and whimsical characters, all of which packed into collage style design. Each composition capitalizes on absurdity of the situation to generate a sense of humor.

A set of styleframes created for the “11. Empfang der Filmhochschulen 2018” bumpers. In this “Comedy” category, I play around with pop culture elements, memes and whimsical characters, all of which packed into collage style design. Each composition capitalizes on absurdity of the situation to generate a sense of humor.

A set of styleframes created for the “11. Empfang der Filmhochschulen 2018” bumpers. In this “Comedy” category, I play around with pop culture elements, memes and whimsical characters, all of which packed into collage style design. Each composition capitalizes on absurdity of the situation to generate a sense of humor.

A set of styleframes created for the “11. Empfang der Filmhochschulen 2018” bumpers. In this “Comedy” category, I play around with pop culture elements, memes and whimsical characters, all of which packed into collage style design. Each composition capitalizes on absurdity of the situation to generate a sense of humor.

Celebrating one of my favorite fonts, Nexa, this piece highlights the unique characteristics of the respective font. Combining 2D graphics with 3D elements, it emphasize the geometry and the moderness of the font.

Celebrating one of my favorite fonts, Nexa, this piece highlights the unique characteristics of the respective font. In a specially created grid structure, the name of the font designer is integrated into the grid while exhibiting the variation of the font.

Celebrating one of my favorite fonts, Nexa, this piece highlights the unique characteristics of the respective font. I play with contrast and make use of space and fills to create a balance in composition.

Celebrating one of my favorite fonts, Nexa, this piece highlights the unique characteristics of the respective font. By drawing a parallel between the basic geometric shapes and the glyphs, this piece highlights the foundation of the font.

“Fakten am Sonntag” is a fictional political talk show that serves as the premise for Ares Ceylan’s thriller “Schwarz auf Weiss”. The conflict triangle between the protagonists, multifaceted nature of the subject serves as basis for the creation of the graphics elements, whereas the clear lines and clean typeface emphasize the mission of the show.

In her concept music video for Apashe’s “Day Dream”, Hanna Seidel features a fictional show moderated by a drag queen. “The Science Show” is the name of the show, and I proposed few designs for the show's logo. Both designs contain elements from Memphis design to emphasize the bizarreness of the show, while the logo orientation pays homage to the iconic “Back to the Future”.

In her concept music video for Apashe’s “Day Dream”, Hanna Seidel features a fictional show moderated by a drag queen. “The Science Show” is the name of the show, and I proposed few designs for the show's logo. Both designs contain elements from Memphis design to emphasize the bizarreness of the show, while the logo orientation pays homage to the iconic “Back to the Future”.

Sinan Sevinc’s Klicksafe online spot deals with the issue of accessing prohibited online contents among the underage. The title I designed reflects the digital screen display nature of the medium.